Saturday, May 10, 2014

Today’s Depressing Thought

Back in February when we had summery weather in the Bay Area, I was walking home with my trusty bicycle. It was a sunshiny afternoon. Temperatures were in the low 70s in Oakland. I was wearing shorts and a light sweater. As I approached a cross street, a honeybee hovered past my head about a foot from me. It floated in front of me as I pushed my bicycle up the hill. With the sun out, a cheery tune playing through my headphones, a bee chillingly cruising past me, unafraid of my presence, I couldn’t help but smile. Maybe this unseasonable warmth wasn’t so bad? (While a few of my Bay Area Facebook peeps embraced the summer-like weather in February, I found it troubling. Droughts aren’t something to celebrate.)

And then, as I was about to step off the curb, I saw the bee descend lower and lower until it fell to the crosswalk.
I stopped to stand over it. Its wings lay on the concrete, its legs wiggling in the air. Oh no I thought, that smile wiped off my face. I hesitated, ready to put out my bike’s kickstand to step over to a nearby patch of shrubs to try to find a fallen leaf so I could scoop the little guy off the street and rest him on the grass where he could hopefully recuperate instead of get run over or stepped on. (I guess it’s worthwhile to mention that by default, although I catch myself now, I automatically think of most bugs and critters as dudes.) But then I thought: what’s the point? You can try to save one but there are so many others you can’t save. Just weeks before I had seen four dead honeybees lying on the sidewalk of one residential block in Fremont, something I had never witnessed in my childhood. Mass bee die-off, a.k.a. Colony Collapse Disorder, is in our modern lexicon. I kept walking up the hill, leaving the bee to die though it didn’t feel right. (It’s worthwhile to mention that the one time I have been stung by a bee is when I was a boy, swimming in a pool. I noticed a bee floating atop the chlorinated water so I cupped my hands beneath it to lift it out of the pool when the bee stung me.)

As I cycled home, I had a fleeting thought: what if our newest generation of parents—several of whom are my friends or colleagues—will become the last generation of grandparents on Planet Earth?

The future is far from bright and promising. Personally, I think you either have to be in complete denial or utterly foolish to hedge your bet on humanity surviving and thriving past this century with our 21st Century way of living. I think you have to be an idiot to believe that humanity can concoct and manufacture high technology solutions to solve the predicaments we face. That form of thinking—that we can somehow outsmart Mother Nature—is one of the principle reasons why our species has arrived to the dire state we find ourselves in.

Our planet is an organism that will continue on long after we peace out and join the extinction list (which we’ve done a bang-up job of populating in our cameo on this planet). Western Civilization has expanded and lasted too long with a core belief that nature is supposed to be this entity we are in opposition with instead of truly understanding that we’re merely a part of it.


There’s too many of us. Too many of us sucking up and depleting the world’s resources, which is basically what humans do. (I’ve been reading Jared Diamond’s Collapse: How Societies Choose to Fail or Succeed and it’s been sobering to read that this has been characteristic of our species for thousands of years at practically every corner of the world we’ve inhabited.) At our current global growth rate, how can we possibly attain enough freshwater to sustain all 7 billion-plus-of-us-and counting especially when corporations, mining companies, and nuclear power plants continue to pollute our freshwater sources with their money-grubbing endeavors? We can't even do that now; according to UNICEF, over 768 million people lack access to clean water. And sure, the United States can keep its gas prices down by waging illegal wars with petroleum-rich countries, 1 but who will we bomb for water? Warfare over the attainment of power and influence in petroleum-rich regions has been rather serious, but can you imagine what it’s going to be like when humans are fighting over a natural resource we actually need to subsist? That’s gonna be ugly.

From Colony Collapse Syndrome to receding glaciers 2 to higher mean temperatures at the global level to a dearth of originality in the arts (from music to visual art, it seems like humans are stuck in a constant feedback loop where what we’re mostly producing is recycled art or creating shit that has no heart because we’re afraid of being emotionally vulnerable at the most vulnerable juncture in our collective history), Mother Nature is providing us with signs that there is something terribly awry with our way of living. Our bodies do the same, providing us with signals of pain and discomfort to warn us that something is wrong.

Too many of us still aren’t paying attention, lost in the fog of the interwebs and our modern technologies, and it’s probably too late now.




1 Back in 1850, there were an estimated 150 glaciers in Glacier National Park in Montana. Today, there are only 25 glaciers in the park according to this U.S. Geological Research Survey webpage.↩

2 In May 2014, according to GlobalPetrolPrices.com , Americans pay .97 cents per liter. In Australia the price is $1.41 per liter, $1.62 in Chile. The European country with the cheapest fuel prices is Poland which pays $1.78 per liter.↩

Sunday, May 4, 2014

My Cancer Playlist

American Boy
Estelle Featuring Kanye West



On April 27, 2009, the day of my mediastinoscopy, this song looped in my head when I awoke in the early morning dark. I’d been fixated on the song in the days and weeks leading up to the surgery. It’s so catchy it’s disgusting. And it’s upbeat. Not sad. Not desperate. Quintessential wallpaper music.

By then, the cancer whispers were blaring: first, a swollen lymph node popped up by my left clavicle in June 2008. Weeks later, a CT scan revealed an “abnormal mass of lymph nodes” between my lungs. Then my left calf became itchy months later, unresponsive to anti-itch creams. In November 2008, a biopsy of the swollen lymph node yielded a negative response but then three months later two swollen lymph nodes sprouted around the area where the previous one had been snipped out. All along, my doctor feared lymphoma was causing the swollen lymph nodes. Every other possibility had been exhausted.

There were a lot of things I didn’t want to think about then.


Emotion Sickness
Silverchair

During the weeks and days leading up to chemotherapy, I became obsessed with this song; it is Silverchair’s masterpiece—a startling, harrowing, epic rock-opera-like song complete with dramatic strings. When I first heard it ten years before, I was impressed by how thoroughly depressing the song was. (Daniel Johns—then only 20 years old—wrote the song while suffering from severe anorexia and depression. Years after he wrote the songs on Neon Ballroom, once he recovered from his eating disorder, Johns did an interview in which he confessed that he had contemplated suicide during that period.) But once my 30-year-old body became host to a Life-Threatening Disease in Residence, I felt like I truly understood the numb sorrow, the pleading, the desperation in Johns’ howls during the song’s climax.

One night, I closed my bedroom door and sat in front of my computer to watch the song’s music video. By then, the recycling basket beside my desk was filled with empty beer bottles. (I drank that night in hopes of peeling through the numbness that had enveloped me since I was diagnosed.) When the song reached its peak, the drums beating, the strings building, it felt like I was socked in the gut when Johns screamed “GET UP! GET UP!”—which I thought was “GET OUT!” Tears filled my eyes as I sat at my desk with this horrible thing growing inside of me.

This was the only song that ever cut through that shell.


Someday You’ll Be Sorry
Louis Armstrong

 

INT. BALLROOM – NIGHT

Dressed in a black suit with red tie and head shaved, I imagined myself striding into a large ballroom. The couples dancing in the middle of the room are elegantly dressed as though they were from the Roaring ‘20s. The room is softly lit by crystal chandeliers.

A jazz band plays at one end of the ballroom. The pianist plays the high, twinkly intro notes to Louis Armstrong’s “Someday You’ll Be Sorry.” Standing front and center beside a vintage microphone, Louis Armstrong blows his trumpet.

I make my way around the tables toward the Art Deco-style bar where several gentleman puff on cigars. Leaning my elbow against the bar, I face Mr. Hodgkins—my corporeal adversary—who sits on a stool. He wears a white button-down shirt, black bowtie, and vest beneath his black tuxedo jacket. His derby hat rests on the bar as he stares into an empty martini glass.


JUAN
Let’s dance.

Without turning to him, Mr. Hodgkins acknowledges Juan by shifting in his stool.

MR. HODGKINS
Must we?

JUAN
But of course. It’s our song.

MR. HODGKINS
Your song.

JUAN
No, it’s our song. If you hadn’t come into my life, it wouldn’t have meant what it does to me now.

I put an arm around Mr. Hodgkins and lead him to the dance floor. Hip to hip, we dance beneath a chandelier that makes the smoke around us look like a swirling veil. When Armstrong finishes his trumpet solo and steps to the microphone, I lean my cheek against Mr. Hodgkins’. I sing into his ear while Armstrong croons.

JUAN
“Someday, you'll be sorry. The way you treated me was wrong.”

Teary-eyed, I caress Mr. Hodgkins’ face.

JUAN
“I was the one who taught you all you know.”

We continue to dance to the light tempo while Armstrong flashes a toothy smile to the crowd.

JUAN
“There won't be another to treat you like a brother. Someday, you'll be sorry dear.”


In the Light
Led Zeppelin

Monday morning, during the week leading up to my second infusion, sweat poured down my face and moistened my bare arms as I cycled up a long hill toward USF’s Lone Mountain campus to attend a weeklong writing workshop. Led Zeppelin’s “In the Light” played through my headphones. Plant was singing the chorus before the song’s outro (Light, light, light…in the light). Page accompanied the vocals with ascending notes on his guitar, bringing the song to a peak as I neared the top of the hill. With not one cloud in the summer sky, sunlight pouring over me, I closed my eyes. My eyelids became warm blankets of bright orange. I imagined myself grasping that sunlight, imagined it to be like water seeping to my roots, my very core. I imagined myself becoming one with the sun’s light (which we are an extension of)—its warmth, its energy healing and nourishing me as I pedaled on.

I knew I needed this joy and love like never before.

Of Wolf and Man
Metallica


 

Friday mornings, before almost every single one of my twelve chemotherapy infusions, this song blared from my headphones as I marched out of my flat on Dolores Street to San Francisco General Hospital. My spirit roared to the nasty staccato riff that sound like dragon breaths, the thundering snare, the opening verse: Off through the new day’s mist I run / Out from the new day’s mist I have come / I hunt, therefore I am / Harvest the land, taking of the fallen lamb. I was the wolf. My corporeal nemesis, Mr. Hodgkins, was my prey.

I was so pissed off to live.


The Judas Kiss
Metallica

While racing my bicycle to and from grad school, or along the city streets, I would sometimes imagine myself hurtling toward Mr. Hodgkins in a motorcycle armed with machine guns by its handles, the city lights blurring past like flares shot into the sky. I was dressed in black—like death incarnate. Mr. Hodgkins stood in an enclosed parking lot in the heart of the city, waiting for me. His cackles echoed off the brick walls, daring me on. I would press hard on the pedal and sneer as the motor roared, the wind howling as I sliced through it, 80, 90, 100 miles per hour. You shouldn’t have fucked with me, I would say, my eyes fixed on him, pupils opening like pools of black.

After I mowed Mr. Hodgkins down, his derby hat flipping high up into the air, I would pounce on him and pound his skull, fist to face, fist to face against the pavement, his dark blood splattering over my knuckles, pouring out of his mouth and nose before I would bite and tear off his bloodied face, chomp by chomp, chunk by chunk, until he was a faceless pulp, and then I would stand and lean over his mangled corpse and scream and scream and scream (AAAAAAAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHH!!!!!!!) until the concrete around him would splinter like broken glass.


“Raindrop” Prelude, Op 28, No. 15
Frédéric Chopin

December 4, 2009. A reprieve arrived: chemotherapy was over. Four weeks of radiation treatment awaited. I was saddened to leave my angels, my mothers, my 4C nurses, but I hoped I would never have to see them ever again.


Moonlight Serenade
Glenn Miller & His Orchestra

There I am, in focus, in the middle of the wide-angle frame, donning a black pea coat, gray slacks, the loafers I wore to work. It’s 5 o’clock, Thursday evening, first month of 2010. Downtown San Francisco, corner of Market and Montgomery. Watch as I part through the crowd funneling past me into the underground tunnels. Now see them through my vantage: a mass of silhouetted figures bathed in golden light, the sun setting behind them past the hills. This is my life, I think to myself while I listen to the timeless, lilting melody from Glenn Miller and his big band orchestra through my headphones. This is the world I’m still a part of. Now switch to a close-up of my clean-shaven face as the camera tracks backwards. My hair, in its rebirth, is growing.

On most occasions, I would have felt annoyed to walk against wave upon wave of humanity, hurrying to pile into crowded trains from their tiny cubicles. But I feel graced to be among them as they brush past me: chirping into their phones. Texting while walking. Marching with expressionless faces.

In my world, in my head, curious thoughts begin to dawn as the sunlight fades. I think to myself: someday I want to play and pass this song along to my children, fill our home with its peaceful rhythm. I think to myself: I want this song to play at my wedding reception. I want to play this song when I leave this town. And someday, when my sun is setting, I want to sit and close my eyes and listen to this song fill my heart like the sound of the ocean’s waves.

As I walk down the sidewalk, I play the song again and again—stirring those images, stirring those emotions. This is new for me—the desire to imagine a future.

I play the song, again and again and again.


I’m Still Standing
Elton John



Outside the oncology clinic, beneath a sweet drizzle I call my mother and father to share The Best News Ever: Mr. Hodgkins is officially dead. It is March 2, 2010. I have longed for this moment for almost one year. Throughout that time, I daydreamt of dedicating this song to Mr. Hodgkins, particularly the chorus:

Don't you know I'm still standing, better than I ever did
Looking like a true survivor, feeling like a little kid
I'm still standing, after all this time
Picking up the pieces of my life without you on my mind.



Pa' Llegar A Tu Lado
Lhasa de Sela



Back in 2009, less than two months before I was diagnosed with Hodgkin lymphoma, I began to date a bright, cute, and mildly nerdy Latina. We were both attending graduate school for creative writing. When we sat together at cafes in San Francisco, reading and writing like homework buddies, we often asked each other’s opinion on a line, paragraph, or word in the pieces we were penning. I felt at peace beside her. I fell in love with this dream of us being a brainy, driven duo of writers—like a Latino version of Joan Didion and John Gregory Dunne.

That honeymoon phase new couples experience?: it was cut short by my dis-ease. It was the worst time to begin a relationship. And god knows my anger and drinking didn’t help either. Despite all that, we stayed together, off and on, for a tumultuous year and a half.

Near our end, I gave her a mix of music. This song made the cut. It should never be a song you dedicate to a lover. Never. In retrospect, it was our requiem:

Gracias a tus manos doy
Por haberme aguantado
Tuve que quemarme
Pa'llegar hasta tu lado


Nutshell (from their MTV Unplugged album)
Alice in Chains

Rejoining “the kingdom of the well”—as Sontag called it—was deliriously great at first, but there was fallout to reckon with. Fallout from lowering my head and pushing through grad school and that shitstorm of my life for over a year and a half and never relenting. Staley’s lyrics and wearied voice in this recording sounded like that feeling locked inside:

And yet I fight
And yet I fight
This battle all alone
No one to cry to
No place to call home.



I’ll Fly Away
Allison Krauss and Gillian Welch

Winter 2011. I was in Taos, New Mexico for my first artist residency. On the day I rented a neo-hippie white Volkswagen Bug to cruise out of Taos, past the Rio Grande Gorge, I saw the land and gray sky open before me, nestled by the surrounding mountains. This song came up on random play from my iPod. It was all so piercingly beautiful—being alive, listening to this immaculate song in a land that felt like home. I cried. It was a great day to die.


The Rain Song
Led Zeppelin

This is the springtime of my loving
The second season I am to know



I can close my eyes and listen to this song and feel myself float through the sky like a singsong leaf descending in the wind. Jones’ mellotron, coupled with sliding notes from Page’s Danelectro literally sound like a melody orchestrated by a quiet torrent of raindrops. There is something about the song’s peak; it feels triumphant with Bonzo’s crashing cymbals and Plant’s invigorated vocals. It feels like a spiritual cleansing—as though the band attained a long-sought freedom. And that’s what making it through that trying period in my life and being alive feels like for me.


Ventura Highway
America



May 21, 2013. A regular oncology check-up, except this time I’m bringing someone along to visit that part of my past, that part of my life I have kept to myself and few others: my girlfriend, Maria. I didn’t beg her to come. She wanted to come, and it’s weird but glorious to have someone beside me—to show the tranquil, tucked-away garden next to Ward 86; to meet my kick-ass oncologist, Terry, who teaches us “the oncologist handshake” (This is when the patient lifts his arm to rest his hand on the oncologist’s shoulder while the oncologist probes the patient’s axillas (a.k.a. the armpit) for any swollen lymph nodes.); and to have another person hear the yippee-skippee news that my good health remains. After the appointment, Mari and I became grown-up kids at The Exploratorium. All the while, step in step con mi compañera, I feel like this song—free and full with bliss from this exalted day that I have been blessed with, a day I could have never known awaited me when I sat in the reclining chair at the infusion ward four years before, staring out over the Bernal Hillside with chemo flowing through the IV pricked into my arm.


Mystery Train
The Paul Butterfield Blues Band

Train arrive, it’s sixteen coaches long,
Train arrive, it’s sixteen coaches long,
Well that long black train, take my baby and gone.

Mystery train, rolling down the track,
Mystery train, rolling down the track…


Sunday, April 20, 2014

Survivor: Cagayan recap (thus far) & My Favorites to Win


Survivor: Cagayan is down to eight contestants: Woo, Tony, and Trish from the original Brawn tribe (for those of you at home keeping score on the three tribes that opened the season), Jefra and Jeremiah from the Beauty tribe, and Tasha, Kass, and Spencer from the Brain tribe—the one tribe, admittedly, that I found myself rooting for at the beginning. With the season finale a little over a month away, I figured it would be fun to put down my thoughts on the season and to lay down my odds to win it all.

Savvy? Great. Onward we go!

Since eighteen contestants have been The-Tribe-Has-Spoken downed to eight remaining players, let’s start by handing out (or bequeathing, if you prefer) awards to this season’s contestants:

Best Game Played
Week after week, up until last week, I would have to say that Tony has been playing the best game out on Cagayan. He found an immunity idol with some serious sneakiness (tricksy hobbitses!), has been competitive in most challenges (finished a surprising second in the first individual immunity challenge: the balancing act in the ocean), pulled that crazy spy-shack bit weeks ago which will inevitably go down as Survivor lore, turned the raid-the-opposing-tribe’s camp reward challenge victory into an absolutely brilliant trick that nearly got Jeremiah voted off by his tribe. In sum, this motherfucker has been straight balling on Survivor. He’s been outhustling everyone—which is good and bad—and he’s been cunning and perceptive and decisive. In all likelihood, his backstabbing of LJ during the last episode may cost him a chance of advancing, but until that Tribal Council blindside, Tony’s been playing the most outstanding game from a physical, strategic, and social standpoint.

Runner-ups: Spencer, Kass, and Trish (more on these three later)

Best Strategic Game
I think this has to go to Trish (Yoga Flame!), who has been a pleasant surprise. She’s the secret Grim Reaper of Survivor: Cagayan—maneuvering behind the scenes to procure the key tactical votes and flips to get people she wants axed off. Don’t believe me? Former Survivor contestant Stephen Fishbach credited her as the “the secret strategist of this season” in his Survivor blog. And here’s the evidence: Trish sided with fellow Bostonian, LJ, in the fourth episode to help blindside Cliff Robinson, which in turn helped to knock off the Medusa-like Lindsay into quitting the game. Then, after both tribes were merged, she was perceptive enough to see a fracture in the Aparri alliance and with a few words, after Tony failed to get Sarah back on their side with an array of promises, got Kass to flip on her alliance and knock off Sarah. For that key vote, Trish was the one who mobilized her alliance. During the last episode, I think she saw through Tony’s wheelings and sensed danger for their alliance before LJ had any idea that he was getting blindsided. Through and through, Trish has been perceptive, consistently persuasive with a host of contrasting players (like Kass, Tony, and LJ), and boldly efficient with her behind-the-scenes work in leading up to tribal councils.

She has done poorly in the challenges, which is why I don’t think she’s a threat to win it all, but I wouldn’t be surprised if she makes it to the final. And she won’t be a master coattail rider like Sheri from Survivor: Caramoan; thus far, Trish’s skills in reading people and anticipating moves has made her a quietly cunning but pivotal player.

Runner-ups: Kass, Tony, Spencer

Weakest Player Still Alive
Hands down, it’s Jefra. So far, the one thing she has going for herself is that she seems to be likeable, hasn’t gotten anyone to dislike her, but this means she hasn’t gotten her hands dirty, which is a task every single Survivor winner has to check off at some point or another. Along with Kass and Trish, she has been a weak player in all the challenges. I just don’t see any way she can win this game. Morgan was along for the ride, too, and I wouldn’t be surprised if Jefra is voted off soon by strategic alphas like Tony who can’t stand players who don’t deserve to progress further in this game. On the other hand, Jefra is my top candidate for The Next Sherri Biethman—an attractive woman who is taken to the final three simply because she is not a threat to win over the jury.

The Erik Reichenbach Award (for Dumbest Player of the Season)
This one’s easy: Garrett Adelstein is the clear winner. Honestly, his buffoonery during the first episode was jaw-dropping. It rivals Erik’s incredibly stupid move in Survivor: Micronesia:



Going home without playing an immunity idol + digging-your-own-grave-at-a-tribal-council-where-you’re-relatively-safe-if-you-can-just-keep-your-mouth-shut = pretty fucking stupid.

Odds to Win It All
So I looked around the interwebs—not too thoroughly, may I add—for betting odds on who will win this season of Survivor. To my surprise, I found nothing, as in I found no place where I could actually put money down and pick my winner. Despite this, I thought it would be fun to put down my favorites to win it. I’m no Las Vegas hustler, not even an occasional gambler so I offer no actual odds; I’m just putting down, from top to bottom, my favorites to win it.

And here’s my list:

1) Woo
2) Tasha
3) Spencer
4) Jeremiah
5) Trish
6) Kass
7) Tony
8) Jefra

Jefra’s non-candidacy has already been explained. Up until the last episode, Tony and Woo were my top two threats to win it all, but I think after backstabbing LJ he’s going to lose the trust of his alliance. The only way I see him surviving the next tribal council is: 1) if he wins the Immunity Challenge, 2) finds a hidden Immunity idol, or 3) finds the mysterious idol that Probst has alluded to a number of times in recent episodes. That’s the only way. Who wants to keep Tony in an alliance? His paranoia and wheeling-and-dealing is now right up there with a coked-the-fuck-out Tony Montana at the end of Scarface. You can’t trust a dude like him. Like Fishbach, I wouldn’t be surprised if Tony is voted off during the next episode. He’s the one big dog left in the game.

Kass, admittedly, has been my personal favorite contestant this season; I find her attractive—like a poor woman’s Elizabeth Shue, dare I say. She's incredibly smart and confident. I love how blunt and witty she is in her one-on-one camera interviews, and how forthright she has been with contestants themselves. In her interviews, it’s clear that she’s really thinking the game through. Even her decision to flip and knock off “Queen Sarah” was a tactical move, not an emotional reaction. Along with Trish, I think she’s played the most brilliant strategic game; it’s clear she’s a student of the game, and she seems to be able to step back from the game and enjoy it on a level that reminds me of Survivor: Caramoan winner, John Cochran, so I think she’s a threat if she can manage to compete and win a few Immunity challenges. But I think that’s a big “if” at this point. There’s no evidence to show that she can all of a sudden become a challenge beast; she’s been really bad at them so far.

Jeremiah’s a coaster; he hasn’t really gotten his hands dirty yet, and he doesn’t seem to demonstrate an aptitude for conniving that is requisite for winning this game. However, he is a legitimate threat in the physical challenges; he hasn’t pissed too many people off, so if he can get to the final three, I think he’s a contender.

Spencer—the Mitt Romney lover (for shame, young man, for shame)—has emerged as a true threat. He has a hidden Immunity idol, has been competitive to strong in the challenges, and he’s been smart and opportunistic with his votes and alliances. I think he’s been my favorite player to see pissed off, and he hasn’t really ticked anyone off yet. However, he’s not the most likeable guy, which is where he might lose the game if he manages to make it into the final three.

Similarly, I think Tasha’s played a careful, smart game. She’s flown under the radar, which is a quality that Cochran used to get far and ultimately win Survivor: Caramoan. Amongst the women—after winning the last Immunity Challenge—I think she’s the one legitimate threat to win it all. Other than not being a very strong strategic player, she hasn’t shown a weakness in her game. From a social, intellectual, and physical standpoint, she’s been a solid player.

Which brings us to Woo, who from the beginning (this can be verified by my fiancé, Lady Burgermante), has been one of my top three candidates to win it all. He’s a fan and student of the game: he has anticipated tribal merges, clues, and his ninja theft of Spencer’s hidden immunity idol clue was outstanding television—a candidate for Survivor lore. He’s one of the top physical threats, well-liked (so it seems), and I think he’s not quite flown under the radar but has managed to stay in Tony’s shadow, which is good for him. From a comedic/charismatic standpoint, he’s raised his level in the last two episodes, and I think he’s the quiet assassin left in the game. I think he’s capable of being a chameleon. If Tony is knocked off, I can see Woo shifting his game to another gear for the home stretch, specifically his strategic game. Of all the contestants left, I think he’s the only one with an extra gear, an extra facet to show. With everyone else, you know what they’re capable of, but Woo is the wild card in my eyes. I can see him aligning with Trish and someone else to go to the final. Plus, of all the players left, I can see him going on a challenge tear to ride into the final where I think a jury will recognize his strong overall play and reward him with the title of ultimate survivor.

Of course, he falls off a tree next week, so who knows what will happen next?

I can’t wait!

Sunday, March 23, 2014

Concord Sucks (or All Hail the Penultimate Car-centric Suburb!)


It took me less than two weeks to abhor Concord, not only as a cyclist but as a motorist as well. Prior to this month, I had only been in Concord once in my life. Now that I work there, I traverse its streets five times a week, primarily as a cyclist but sometimes as a motorist. In large part, it’s been an agonizing experience. I grew up in Fremont, CA—another California suburb that was designed with vehicular traffic as its principle means of transportation—but man, that town has nothing on Concord when it comes to being a car-centric municipality.

Concord’s the least bike-friendly city I’ve seen in the Bay Area; it’s not even close. Back in February, I nearly cancelled my second interview with my current employer because after taking the 1.4 mile drive from their office to the Concord BART station to scope out the potential commute, I was scared of riding my bike along those streets. During that drive, I zipped down a few of their main streets such as Willow Pass Road, Clayton Road, Galindo Street, and Concord Avenue. Dear god, I thought, riding those streets on a bike would be suicide. There were no bike lanes. No shoulders to ride on the side of the road, and all the cars and trucks on those main streets were motoring. In most suburbs it is clear who the roads were paved for, but in towns like Concord it is abundantly clear. Along that drive to and from the office to the Concord BART station, as well as the drive off the highway to the office, I saw few pedestrians and no cyclists on the roads. I saw one or two guys riding their bicycles, but they were pedaling on the sidewalks, which was completely understandable. (Ultimately, I rode my bike to the second interview after I found a route to the office that avoided—for the most part—the main streets.)

In writing up this post, I googled “Concord” and “not bike friendly” out of curiosity. Amongst the top 10 hits were two articles on an accident back in 2012 that killed a father and one of his daughters while they cycled on the sidewalk of one of Concord’s main thoroughfares. The New York Times even wrote an article about it. In the April 2012 article, they stated that Concord—the largest city in Contra Costa County—had “less than three miles of painted, on-street bike lanes” at that time. That article was written two years ago but I’m willing to wager, backed by what I’ve seen on Google Maps, that the number of miles of on-street bike lanes is still about the same. During these past few weeks I’ve run some errands around Concord for work, and moseyed around some of the strip malls in the vicinity of my office and I have yet to see anything resembling a bike lane, or even sharrows. By comparison, Pittsburg—Concord’s municipal neighbor with a population of 63,264 (2010 U.S. Census) and 17.218 square miles—had 35 miles of on-street bike lanes in April 2012. With a total land area of 30.5 square miles, Concord is nearly double the size of Pittsburg, a suburb which, by the way, is not renowned as a cycling haven.

As a motorist, Concord seems to be a bit of a pain, too, especially if you’re driving along one of the many side streets and attempting to either cross the main street or make a left onto it. If that is the case, be prepared to twiddle your fingers on the steering wheel for a quite a while because those signals are poorly timed for saps like you. From my limited experience, it doesn’t seem to matter what time of day it is: commute time or early afternoon, those signals are timed to always give significant preference to motorists riding along the city’s main arteries; streets like Galindo, Willow Pass, or Concord Avenue. If you’re driving on those streets, that town was built for you, buddy boy, but if you’re a motorist, or a cyclist, or god help you a pedestrian trying to cross those busy thoroughfares, you will have to wait and wait for your opportunity—and once it’s your turn, the signals will give you little time to accomplish it. To help illustrate this, my 1.5 mile bicycle ride from the office to the train station takes about 12 minutes on average. Sometimes, I shit you not, I’d say about half of that time is spent simply waiting at a crosswalk or a signal so I can cross a main street. They’re the worst timed lights I’ve ever seen. Even in Fremont it’s not as bad. On their heavily-trafficked streets the signals are only poorly timed—and understandably so—during commute time to give preference to its motorists, not the whole fucking day.

All this begs the question: just who are the planners at the City of Concord? Have they ever taken public transportation? Have they ever had to take a bus in their lives? Do they believe bicycles are contraptions that should only be ridden for recreation along parks and trails such as the Iron Horse Regional Trail? (From what I’ve been told, it’s a beautiful 55-mile trail that runs from Livermore to North Concord, passing through cities like Concord and Pleasant Hill.) Do they think car-centric American suburbs are healthier for humans than walkable cities with infrastructures conducive to riding bicycles or public transportation like the ones littered throughout Europe, our civic forefathers?

I wish all the current and past city planners for the City of Concord were given missions, such as:

-Take an enjoyable stroll along the entirety of Clayton Street!, or
-Ride a bicycle, somehow or another, from the corner of Diamond Boulevard & Concord Avenue to the TJ Maxx on the corner of Clayton and Bailey Road; or
-Walk or take public transportation from Highlands Park to Sun Valley Mall.

I can’t help but think that if the knuckleheads who designed Concord attempted to traverse their human-made landscape by a means other than a motor vehicle they’d quickly and viscerally understand just how dehumanizing and wretched their civic constructs are. They would see how antithetical their planning is toward building anything resembling a healthy community. And better yet, I hope those short-sighted idiots with their fancy planning degrees will be there in 30-50 years when those suburban streets are barren, bereft of vehicular traffic, with abandoned gas stations and rusting cars littering the landscape they helped to create.

Sunday, January 26, 2014

The Soundtrack of My Life


Last week, my homeboy J-Oro wrote a Soundtrack of His Life. He got the idea from our buddy, Ethan, who riffed on the idea after hearing a story on NPR in which a writer chose six songs that would make the soundtrack of her life. Being the narcissistic fucker that I am, I’ve thought about a soundtrack that could convey my spirit. I’ve fantasized about a soundtrack that could accompany, say, a film based about my life. A few years ago, I experimented with this by writing a piece titled “My Cancer Playlist,” a compilation of 12 songs that could express my “cancer journey” (as oncologists and practitioners in the field like to refer to that tumultuous time in the lives of their patients).

I just wanted to get in on the fun, this conga line of soundtracks, so here’s mine:

1979 - Ring My Bell, Anita Ward


This song came out in 1979. I was in my mother’s womb for the first four months of that year. Now when I bob my head and gyrate to this disco classic, I can’t help but secretly wish that my mom somehow listened to this song in Guadalajara while I was one with her. I can picture it now: me kicking in her womb, a smoke machine in the corner, cute chicks on the sidelines, a disco ball hanging from the uterus lining. I should’ve never left!

Many years later, I would see a parked car in the Mission. It had a bumper sticker that read “I Came to Get Down.” I went bonkers. Fuck yes. That’s what I want my headstone to read.

1984 – Cherish, Kool & the Gang


I have shards of memories from a trip I took with my dad to Miami when we lived near Orlando. (I remember staying in a hotel for one night. I vaguely remember being so pleased by the grown-up table they had in the corner of our room with a pen and blank notepad resting expectantly on it.) On the drive to Miami, I remember sitting buckled into the passenger seat. This song came on the radio while we drove across a bridge. I peered over at my dad. The sun shined behind him, flickered from the suspension cables or passing cars that zipped by. I remember feeling at peace, safe beside my dad.

In large part, my early childhood was unremarkable. I was loved by my parents and sisters. I was one of the lucky ones. Cherish.

1993 - Genius of Love, Tom Tom Club

Junior high. Everyone’s wearing baggy colored pants and striped shirts from Miller’s Outpost. Even though I’m a peruano and not mexicano like most of the other Latinos at my school in Fremont, CA, I figure I should wear the same clothes they’re wearing and listen to the music they’re listening to, like 98.1 KISS FM and 106.1 KMEL (the people’s station!) Since I’m a Latino, I feel like I was supposed to listen to rap and hip hop and R&B and old school R&B, though I had no clue what that really meant, old school R and B. This was a song those stations played. I really liked it even though I had no clue who I should be.

1995 - Rape Me, Nirvana

It’s past midnight because that’s what my digital alarm clock reads. I can’t fall asleep. I turn the radio on my clock. For whatever reason, I flick through the channels, searching for something. I hear the opening palm-muted guitar notes, then the opening verse. It reminds me of “Smells Like Teen Spirit” from the Nevermind album I had borrowed from my older sister, Mariana. This time, something clicked inside me. A cog turned. This was the music I felt bubbling within me. The angst. The ugly distorted beauty of it all. I was a rocker in spirit from that day on. And I found my first artistic idol.

2000 – Garbageman, The Cramps


My college years. Still living at home, taking the train all the way to Daly City to attend film school. I’m writing short stories and film scripts in which startling moments of life that are full of life can happen in a boring-as-fuck suburb like Fremont. I’m starting to feel like something is fundamentally wrong with suburbia as a construct but intellectually I still lack the language to elucidate. But I was having startling moments of life that were full of life in Fremont because of my punk-rocker-outsider-type friends, especially my first serious girlfriend who was One half hillbilly / And one half punk. (And she was so much more.) I’m getting loaded regularly. Experimenting with my mind on occasion with drugs. I’m discovering classic cult films, great books, and astounding bands like The Cramps to nourish me, to sing back and paint the world I feel. My friends helped to open these worlds for me.

2001 - Everything in Its Right Place, Radiohead

Here’s a recipe for depression:
• read Derrick Jensen’s The Culture of Make Believe,
• read George Orwell’s 1984 while visiting Peru, your ancestral homeland
• listen to Radiohead’s OK Computer and Kid A a lot
• ¬while visiting your expansive family in Peru, a place where you are a tourist, become keenly aware, for the first time in your privileged life, of all the death, destruction, and tantamount change that was wrought on that land by a group of greedy Spanish conquistadors who believed their God was the right one.

And the world is never the same after that summer.

2006 - El Desierto, Lhasa de Sela


Weeks before Valentine’s Day in 2006 my girlfriend Julia broke up with me. I’m 26 at the time. We parted at a time when I was beginning to assume a future inseparable from her. Other than loving life in San Francisco, I am lost in every way: unsure of what work I want to commit my one life to; no heart to rest mine beside. So I quit my job to backpack alone through South America. I dreamt of winding my way to the Atacama Desert. I longed to walk into the desert. I wanted to vanish in it.

Besides my books and journal, my one true companion on those long, grueling bus rides across the continent was my iPod shuffle. Lhasa de Sela’s La Llorana was on steady rotation, including this song containing this verse:

He venido yo corriendo olvidándome de ti
Dame un beso pajarillo no te asustes colibrí
He venido encendida al desierto pa quemar
Porque el alma prende fuego cuando deja de amar.


[Quebrada del Diablo, Atacama Desert]

2008 - Maloyan Devil, Bob Brozman & Djeli Moussa Diawara


July 26, 2008. Saturday night in the Mission. With my camping backpack strapped around me, I’m marching to the 24th Street station to catch a train to SFO. I’m heading to Thailand and Cambodia for three weeks. To kick off my journey on a righteous note I slip on my headphones and pick a song at random on my iPodito. Of all the 120 songs this beautiful but haunting blues number plays. It startles me. Does this song portend what lies ahead for me?

By then, an ominous swollen lymph node had popped up by my left clavicle.

2009 - Of Wolf and Man, Metallica

Friday mornings, before almost every single one of my twelve chemotherapy infusions, this song blared from my headphones as I marched out of my flat on Dolores Street to San Francisco General. My spirit roared to the nasty staccato riff that opens the song; the thundering snare; the opening verse: Off through the new day’s mist I run / Out from the new day’s mist I have come / I hunt, therefore I am / Harvest the land, taking of the fallen lamb. I was the wolf. My corporeal nemesis, Mr. Hodgkins, was my prey.

I was so pissed off to live.

2010 - Nutshell (from their MTV Unplugged album), Alice in Chains


Rejoining “the kingdom of the well”—as Sontag called it—was deliriously great at first, but there’s fallout to deal with. Fallout from lowering my head and pushing through grad school and that shitstorm in my life for over a year and a half and never stopping. Staley’s lyrics and wearied voice in this recording sounded like this feeling locked inside:

And yet I fight
And yet I fight
This battle all alone
No one to cry to
No place to call home.


2011 - I’ll Fly Away, Allison Krauss and Gillian Welch


Winter 2011. I’m in Taos, New Mexico for an artist residency. On the day I rented a neo-hippie white Volkswagen Bug to cruise out of Taos, past the Rio Grande Gorge, I see the land and gray sky open before me, nestled by the surrounding mountains. This song comes on my iPod. It’s all so piercingly beautiful—being alive, listening to this immaculate song in a land that feels like home. I cry as I drive. It was a great day to die.

2013 – Always, Atlantic Starr

For years and years I have loved this song. All that time, I think I secretly longed to find someone who I could dedicate this song to. I think I longed to grow into a man who could dedicate this song to someone. In Maria, my sweetheart, mi amorcita, the love of my life (and now my “domestic partner,” according to Kaiser Permanente), I’ve finally arrived there. When I listen to this song, I can easily daydream of us slow dancing to it, surrounded by our loved ones.



2014 – Achilles Last Stand, Led Zeppelin

Over the past four months, I’ve been a bit obsessed with this song. I still remember the first time I listened to it. What immediately struck me was Jones’ galloping bass line and Robert Plant’s voice. Familiar with every Zeppelin album before Presence, I was stunned by the tone of his voice; it’s like the fire in him was tempered. It was evident that this was a different Robert Plant. And it was: during the recording he was wheelchair-bound with a broken ankle and elbow from a serious car accident in Greece.

The rest of the song, with some of Page and Bonham’s most astounding work, is imbued with a soaring, unrelenting, and desperate power. By comparison, it makes “Rock ‘N Roll” seem mundane. The desperation, the-backs-against-the-wall power is what left me in complete awe of this song. I felt validated to read that Plant described Presence as a “cry of survival,” “a cry from the depths.”

Now at the cusp of 35, I feel like this song more than any other. My body’s getting creaky. It doesn’t heal as quickly as it used to, but I feel mighty in a way I didn’t when I was younger.

Meanwhile, the polar ice caps are disintegrating. “Colony Collapse Disorder”—the mass death of honey bees worldwide—has entered our lexicon. Our way of life on this planet is beginning to crumble at an accelerated pace that even we can see. Life is always full of suffering but we’re in for a load of it in this century—if we make it. You know shit’s bad when Stephen Hawking recommends we seek life outside Planet Earth within the next century if we wish to continue this human experiment.

So the outlook’s bleak. Our backs are against the proverbial wall. This is when we’ll see the absolute best and worst of humanity. This is when we’ll truly see what we’re individually and collectively made of, and I’m going down swinging. This is my fight song now.

Wednesday, January 22, 2014

Thoughts on the 2014 NFC Championship & 49ers offseason


For the third consecutive year the San Francisco 49ers literally came a few plays from either going to the Super Bowl, or winning it all. Sunday’s loss to the Seahawks was particularly brutal because of NaVorro Bowman’s devastating injury, the favorable hometown calls to the Seahawks that could have had a significant impact on the game’s outcome (I counted at least four bad calls by the two-footed zebras), and the fact that the Niners season was lost again in the right side of the end zone with an opportunity to win the game at the last seconds. Though I now admittedly straddle some nether region between cheerleader, admirer, and bandwagon fan (I don’t know what to call it; any suggestions are welcome), Sunday evening was a time I, a long-time Oakland Raider fan, had pity for Niners fans. To come so close to that shimmering shooting star only to see it slip away, yet again; it must be devastating. With my Raiders, I’ve become accustomed to knowing that they will suck so I haven’t experienced such a blow of dashed hopes since the beginning of 2003 when the Tampa Bay Buccaneers ran roughshod over us in the Super Bowl (aka The Tijuana Bowl). Sunday’s third straight close-but-no-cigar loss for the Niners inevitably makes one question if Lord Tennyson was right when he wrote: “Tis better to have loved and lost / Than never to have loved at all.”

Anyway, I’ve ruminated a bit on the loss, especially since it was such a battle with various potential turning points (which I’ll discuss here). As a fan of the game, that’s what will make the 2014 NFC Championship go down as a classic—the fact that there were several key plays that could have swung the outcome of the game. Here, in little logical organization, are some of the post-game thoughts I had bouncing around my head:

Seattle won because their secondary outplayed the Niners defensive backs.

This game produced several elements that literally decided the game, but I felt like this was the most glaring (with the exception of Kaepernick’s decision-making and game-managing prowess versus Russell Wilson’s). A couple of ways of thinking about this:

1) If the Niners defense had the Seattle secondary, there’s no way the Seahawks would have won.
2) If the Niners defense had the Seattle secondary, there’s no way Russell Wilson and his offensive unit would have scored more than 17 points (or 10 points for that matter).
3) If the Niners had a shutdown corner like Richard Sherman, they would have won.

From what I observed, the Niners front seven played well enough to win the game. They produced four sacks, one intentional grounding (should have been at least two, from what I remember) and lots of pressure on the fleet-flooted and cagey Wilson; minus the 40-yard run by Marshawn Lynch they bottled him up, too, especially in the first half.

17 of Seattle’s 23 points was on the Niners' defensive backs (I thought Fangio dialed up a brilliant defensive game):

-The long pass to Doug Baldwin to set up Seattle’s field goal in the first half seemed to be on Das Hitner, who somehow allowed Baldwin to dash past him to haul in a long pass from Wilson on a broken play.

-Sure, Marshawn Lynch and his O-line did a great job, but Eric Reid took a bad angle on Lynch in the open field that could have stopped that 40-yard touchdown rumble.

-Jermaine Kearse—another undrafted free agent wide receiver for the Seahawks—outpositioned Carlos Roger on a fuck-it, let’s-chuck-it toss into the end zone after Aldon Smith jumped offside. (Sure, Smith deserves blame for that, but a superior defensive backfield should not have allowed a touchdown like that; if it’s a pass to Megatron, Boldin, or Julio Jones, okay, acceptable, but Jermaine Kearse? Come on.)

Why didn’t Jim Harbaugh call timeout with first down from the 18 with thirty seconds to go?
It was kind of the single most important play of the Niners’ season. Remarkably, they had two timeouts left. Why didn’t Harbaugh and his eight-dollar Walmart khakis burn one to collect his team, take a breath, have that little bit of extra time to really think through what play(s) they were going to call, and what next play they would call depending on the outcome of the first down play? I know the Niners had momentum at that point; they had the Seattle defense on the run, but with a young-still-maturing quarterback in a hostile, hostile road environment, why didn’t they chill and call a timeout there?

With his talents and Russell Wilson’s poise, decision-making, and wits, Colin Kaepernick and the Niners would have won.
And they might possibly be unstoppable. But that’s not the case, which makes Kaepernick, in my humble opinion, the most intriguing quarterback to watch.

Speaking of Kaepernick, am I the only one who thinks his pre and postgame interviews are reminiscent of Adam Sandler’s Billy Madison?


It's probably the backwards hat that does it for me. But to Kaep’s credit, he took question after question after question from the media after that brutal loss. Maybe he was numb from the loss of another huge game, but I admire him for sticking in there and taking every question fired at him. Postgame interviews like these must be some form of hell.

But that said, how could Kaep have possibly thought that a jump ball to Crabtree vs. Sherman by the right side of the end zone was his best match up?
He still had thirty seconds. He still had two timeouts. He still had Vernon Davis and Anquan Boldin to throw to. Why would he not hesitate to throw all his chips in on a dangerous, dangerous throw into double-coverage to his weakest receiver in terms of out-muscling a guy for the ball?

If I were a Niner fan, that level of decision-making is what frightens me the most about Kaepernick. Like Brett Favre, he has this Superman-complex where he thinks he can make every crazy-difficult throw when sometimes it just isn’t the wisest thing. Especially with thirty seconds left. On first down. With two timeouts left.

If the Niners have any hope of toppling the Seahawks next year, this is the area where Kaepernick needs to improve.

Speaking of that first down with thirty seconds left in the game, what was with Greg Roman’s playcalling in the second half?
Throughout the year many Niners faithful have continually questioned Roman’s play calling. Typically, it is critical of how Roman seemingly under-utilizes Kaepernick. In large part, I haven’t been a part of these off-with-his-head pleadings from Niners fans, but let me join that friendly discussion after this game. I’ll contribute with some questions in bulletpoint form:

• Why were their less rushing plays for Kaepernick in the second half?
• Unless I’m wrong and didn’t see this play or register it, why didn’t the Niners attempt at least one deep pass to Vernon “I’m 6’3, 250 pounds and run a 4.4 40-yard dash” Davis to keep Earl Thomas and Kam Chancellor honest with their deep coverage, to help stretch the field for the Niner offense? (It’s like Roman conceded, before the game kicked off, that they wouldn’t be able to throw deep, so they played into a mostly short passing attack, which largely played into Seattle’s hands.)
• Why didn’t the offense try to exploit Boldin’s height and beastly-size advantage when he was lined up against the 6’1 Bryon Maxwell with an isolation jump ball or two? (Don’t they remember what Boldin did in the playoffs last year?)
• Remember when Roman used to run those cute jumbo formations with extra linemen and tight ends in Alex Smith’s last year? Why didn’t he try that a few times against the Seahawks defense, especially in the second half when they’re presumably a bit more tired? That could’ve negated that almighty advantage they have with their secondary composed of late-round draft finds, no, or am I dreamer?


Onward to next year:
Going into the draft, after this game I can’t help but think the Niner’s priorities are in the following order: CB, WR, and DL (Justin Smith isn’t finding the Fountain of Youth at 34). Reid’s a rookie; he should get even better. Whitner’s a smaller version of Chancellor, so if Seattle can make a strong safety like him work for a championship-level secondary, why can’t the Niners?

I think CB has to be priority. They need an upgrade at that position. If the Niners had a shutdown corner, they would have probably won this game at CenturyLink Field. They’d probably be favorites to win it all next year (albeit with their current roster). The Niners needed to hold the Seahawks to less than 20 points to win this game on the road, and they failed in large part because an undrafted free agent not named Victor Cruz but Doug Baldwin put up 106 yards on 6 catches. That’s not a worthy performance for a championship-level defense. Fact (as Brian Wilson would say). And maybe the Niners need to draft or sign a battering-ram-type running back to wear the Seahawks front-seven down? (Unless Marcus Lattimore can fill that role.)

And since we’re on the subject of how the Niners can keep pace, let alone surpass the Seahawks, I think it comes down to their drafting and development of those two positions: cornerback and wide receiver. Thus far, Trent Baalke has shown he can’t draft and develop a good wide receiver, so that’s a problem. But so far, it looks like Seattle might have a similar deficiency in that department.

But when it comes to defensive backs, sweet baby Jesus there’s a disparity between these two franchises. Seahawk GM John Schneider and Pete Carroll seem to be god-given nuclear arms manufacturers with their Legion of Boom while Baalke and Harbaugh are firing back with a Smith & Wesson. It’s absolutely fucking remarkable (Niners fans: insert your PED jokes here):

-5th round picks: Richard Sherman and Kam Chancellor
-6th round pick: Byron Maxwell (who, from what I’ve seen, would be the top CB on the Niners, which is scary because he’s supposed to be their nickel back)
-Undrafted free agent: Brandon “I’m Juiced! (and It's Not Skittles!)" Browner

Only fool they really invested in, as far as the draft, was Earl Thomas with a first round pick. That’s just fucking insane, reminds me of Jimmy Johnson’s early drafts with the Cowboys. (There I go, rubbing in some more salt to the wound, right?)

The Niners need to reverse this trend or they’re going to be running second to the Seahawks for a long time.



Saturday, January 18, 2014

Clown Without Pity's 2014 Conference Championship picks

Well well well, looks like I was wrong about that Chargers-are-goin’-to-the-Super-Bowl! pick. But after rubbing my temples yet again in a prognosticating fashion and allowing some synapses to fire, who do I think will win the Conference Championships?

Here’s the short ‘n sweet of it:


New England at Denver
At some point, their brutal procession of injuries on the defensive side is going to cost New England a shot at the Super Bowl, and I think they will reach that point Sunday afternoon at Mile High Stadium where sunny skies are on the forecast. No Vince Wilfork and Tommy “I Used to Be an Overpaid and Underachieving Raider” Kelly to help plug up the middle; no Jerod Mayo to patrol the field; a banged up Kyle Arrington to try and keep up with the Broncos quartet of dangerous receivers. Good luck with that, New England! This season may be one of Sith Lord Belichick’s finest coaching performances ever, but I don’t think he’ll come up with enough schemes to overcome all the injuries on defense. They played great last week against the Colts, but how can they sufficiently slow down Denver’s cagey and talented Four Horsemen, and a decent rushing attack? I think Manning will have a competent game and avoid making too many mistakes, and I think Brady's going to miss Gronkowski in this game. Denver’s got this one.


San Francisco at Seattle
Oh boy oh boy oh boy! I can’t wait for this one!

If you’re reading this, you’re probably aware of how much the Seattle offense has struggled in the past few weeks to advance the ball downfield, let alone generate points. Last week’s game against the Saints should have been a convincing victory, or even a blowout, but outside of Marshawn Lynch the Seahawks weren’t able to muster much offense. Yes, yes, it was raining hard, but it’s been no aberration. And to make matters worst for the Seahawks, Percy “I Can’t Stay On the Field” Harvin has officially been ruled out for the game, so Russell Wilson—who I’ve had a man-crush on since last year—is back to throwing to an underwhelming 2nd round draft pick out of Notre Dame, an undrafted free agent receiver from Stanford, and a competent tight end. A few weeks ago, the Cardinals showed how an aggressive defense with a shutdown corner like Patrick Peterson can take the Seahawks down at home even when they easily won the turnover battle.

As for the Niners, they’re peaking at the absolute best time: eight straight wins, offense is averaging nearly 26 points per game in that stretch, which include games against the Seahawks (albeit at home) plus road games against the Cardinals and Panthers. Though they got outplayed by the Panthers for the first half of last week’s game, they hung on, got bailed out by their red zone defense and earned a convincing victory on the road against a very tough and physical defense. I was very impressed by the Niners, which was definitely not how I felt about the Seahawks last week.

The Niners blowout loss at CenturyLink Field during Week 2 of the season wasn’t on the defense; they held up until late third quarter despite all of the turnovers. I don’t think their defense will have troubles against the Seahawks. The 49ers play calling process and Kaepernick’s decision-making is what I would worry about if I were a Niner fan.

But somehow, I doubt the Niners will have as many turnovers this week as they did in their Week 2 shaming. It will be close, but I think the Niners are going to squeak this one out. After Newton threw that game-sealing interception late in the 4th quarter of last week’s game, I just had this sense that this will finally be the Niners season. (But then again, need I remind you that I went whole hog with the Chargers as my Super Bowl dark horse and where did that prediction go?)

We’ll find out on Sunday!